Travelers among Mountains and Streams | 溪山行旅图
       
     
 In Artificial Wonderland II (2014), there are digital replicas of two Song Dynasty master paintings, namely Travelers Among Mountains and Steams (Fan Kuan) and Wintery Forest in the Snow (anonymous). Whereas ancient landscapes are often seen as being without time, Yang's interpretation of the latter work is a nocturnal image, titled Wintery Forest in the Night. The 2014 series marks a step forward in terms of digital technique--the piece is larger than ever and enriched with tremendous detail images. Also, Yang conjucted natural mountain rocks into the signature artificial landscape for the first time. Images of the mountain rocks are mostly taken in Iceland and Norway.
       
     
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2018_01_13 白石畫廊楊泳梁 -2(30).jpg
       
     
Travelers among Mountains and Streams | 溪山行旅图
       
     
Travelers among Mountains and Streams | 溪山行旅图

Artificial Wonderland II - Travelers among Mountains and Streams

 In Artificial Wonderland II (2014), there are digital replicas of two Song Dynasty master paintings, namely Travelers Among Mountains and Steams (Fan Kuan) and Wintery Forest in the Snow (anonymous). Whereas ancient landscapes are often seen as being without time, Yang's interpretation of the latter work is a nocturnal image, titled Wintery Forest in the Night. The 2014 series marks a step forward in terms of digital technique--the piece is larger than ever and enriched with tremendous detail images. Also, Yang conjucted natural mountain rocks into the signature artificial landscape for the first time. Images of the mountain rocks are mostly taken in Iceland and Norway.
       
     

In Artificial Wonderland II (2014), there are digital replicas of two Song Dynasty master paintings, namely Travelers Among Mountains and Steams (Fan Kuan) and Wintery Forest in the Snow (anonymous). Whereas ancient landscapes are often seen as being without time, Yang's interpretation of the latter work is a nocturnal image, titled Wintery Forest in the Night. The 2014 series marks a step forward in terms of digital technique--the piece is larger than ever and enriched with tremendous detail images. Also, Yang conjucted natural mountain rocks into the signature artificial landscape for the first time. Images of the mountain rocks are mostly taken in Iceland and Norway.

002.jpg
       
     
003.jpg
       
     
004.jpg
       
     
005.jpg
       
     
2018_01_13 白石畫廊楊泳梁 -2(30).jpg